45. [Passage: Zaha Hadid]
Dame Zaha Hadid was the uncrowned queen of contemporary architecture. A bona fide autrice, Hadid was without a doubt the world’s most famous woman in a starchitect stratosphere __40__ by her masculine peers. During her student days in London at the Architectural Association School of Architecture, the Iraqi-British architect was intensely preoccupied with changing our general notions of space, not only in a physical sense, but also socially and culturally. Hadid’s buildings are iconic. They are characterized by their dynamic formal qualities of sinuously, curving shapes, or crystallized strata.
Hadid’s projects during the late 1970s and 1980s were marked by a profound understanding of early 20th Century avant-garde artists and architects. In an attempt to redevelop and make relevant again the formal investigations of Russian Constructivism and Italian Futurism, her projects expressed utopian ideals.
Today, Zaha Hadid Architects create landmarks projects for all types of functional programs. Their buildings are never bland or mundane, but moreover assertive statements of a particular view that the world __42__ indeed look different. Their efforts have resulted in a staggering almost one thousand projects throughout the globe, in every scale, from urban design schemes to objects and furniture design.
Along with her strong conceptual and historical awareness, __43__ a recurrent source of inspiration for Zaha Hadid’s architecture. It includes attention to physical contexts and landscapes, resulting in layered structures or powerful moving lines and also exploring possible interfaces between patterns and construction.
Zaha Hadid Architects embraced digital drawing early on. This has made the studio able to challenge __44__, leading us to the 21st century urban architecture.
This sentence “This sums up a kind of new Baroque, a sensuous, more vibrant and engaging type of architecture.” should be the last sentence of paragraph …
Tinggalkan Balasan